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The Notorious Bettie Page
is a curious, mostly charming
and entertaining, but ultimately
unsatisfying film about the
ultimate pin-up icon of contemporary
times.
Actress Gretchen Mol plays Bettie,
capturing the playfulness and
free-spiritedness that was such
a large part of Bettie Page's
appeal.
Mol gamely and fetchingly shows
us the Bettie who frolicked
naked for 'nudist' photographers
and who so memorably posed as
both Dominatrix and submissive
in fetish pictorials. Gretchen
Mol is undeniably endearing
in the role, at times disappearing
into the character so completely
that one could forget that we're
not actually watching the real
Bettie Page.
Unfortunately, Gretchen Mol
is not known as a performer of great
depth, and her Bettie
seems to lack depth as well.
Ironically, Mol is the
actress who was unfortunately
and short-sightedly dubbed the
'It' girl of the 90's in Vanity
Fair, here playing an undisputed
and genuine It girl of the 50's. One is left wondering whether the dominant sense of sweet natured naïveté
and near vacuousness in Mol's potrayal is entirely intentional or a reflection of the actress' lack of focus.
Director Mary Harron makes creative
use of black and white photography
intermixed with 50's era color
to present an authentic seeming
environment for her story to
unfold within. Often, the movie
actually feels as if it was made in the 50's, not only for
its visual style, but also for
its rather stilted dialogue
and its editing and directorial style which recalls Kennedy era television..
What will frustrate some audiences
is the manner in which screenwriter
Guinevere Turner tells (or fails
to tell) Bettie's story. Turner's
last screenplay was for the
Uwe Boll vampire film BloodRayne,
but her most successful script
was co-written with Mary Harron
for the film version of American
Psycho.
Ms Turner's scripts are filled
with half-realized characters.
In American Psycho, this failing
passed unchallenged, because the murdering
anti-hero is such a cipher,
a shark of a human being. With Turner's story of Bettie Page, one hopes for revelations that are merely hinted at.
At the end of The Notorious
Bettie Page, we're left with
some measure of disappointment: disappointment at the shooting
star quality of her brief career,
frozen in time as it was by
her retirement from it and disappointment
that in the course of this film, we had a
chance do more than just skim
the moments of her life and touch
the surface of her world.
The events of her life are passed
over all too quickly, like pages
in a scrapbook turned too fast.
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