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Aeon Flux, a ruthlessly efficient
killer, is the prime weapon
in a rebel army's fight for
liberation in a future society
where nothing is as it seems.
From her beginning as a character
in a series of shorts on MTV's
Liquid Television (an
anthology of adult cartoons)
through her role in her own
regular series, Aeon Flux and
her world were enigmatic and
logic defying.
Originally, her character was
killed at the end of each episode,
only to 'respawn' in subsequent
chapters. She rarely spoke,
and the nature of her love/hate
relationship with her ultimate
antagonist, Trevor Goodchild
was shrouded in mystery.
As opposites that attract and
repel, Aeon was an amoral, anarchistic
force of nature, while Goodchild
was a dictator imposing mind
control technology upon society
to enforce his vision of utopia.
The series' creator, Peter Chung,
co-wrote this cinematic vision
of Aeon Flux, and the story's
shroud of mystery is finally
lifted in a tale that retains
many of the qualities of the
animated series, while completely
changing others, creating a
far more conventional story
line.
Unexpected plot twists keep
the story interesting, Chung's
surreal inventiveness adds an
entertaining "whoa"
factor, and Charlize Theron
as Aeon provides the expected
eye-candy throughout.
Theron's casting as Aeon represents
something of a reimagining of
the character, who was originally
a hard-edged, steely eyed death
dealer. With a lithe physique
and a model's beauty, she looks
fetching in the character's
body suits and revealing costumes,
but her face is so naturally
expressive of emotion that the
image of an amoral assassin
is never truly realized. As
the story unfolds, this paradox
of actions and appearances becomes
an asset that works to fine
effect.
Readers who have seen the trailer
for Aeon Flux should
be relieved to learn that the
film is much different (and
much better) than the preview
suggests. It is however, as
close in style and substance
to the cheezy 1970's cult fave
Logan's Run as it is
to the sublime perfection of
The Matrix.
Aeon Flux is not
the ultimate vision of a dystopian
future, but in its willingness
to blend pure imagination and
a story with substance, and
in offering an unapologetic
vision of dangerous beauty,
it's something to see.
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