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Tim
Burton's Charlie and the
Chocolate Factory is a delicious,
colorful, twisted piece of eye-candy,
and a feast of brilliant, delightful
characters who will be savored
forever like a Willy Wonka Everlasting
Gobstopper.
For the first time in recent
memory, Johnny Depp is not the
main reason to see a film in
which he performs. Charlie and
the Chocolate Factory features
such a perfectly cast ensemble
of adult and child actors that
even a star of Depp's charisma
and eccentricity doesn't come
close to outshining them.
For the few readers who are
unfamiliar with the story, it
concerns a reclusive and magically
inventive chocolatier named
Willy Wonka, who offers the
five winners of a contest an
opportunity for a once-in-a-lifetime
tour of his Factory. Five golden
tickets are hidden in Wonka
Bars and shipped all over the
world, where they are discovered
by four exceedingly obnoxious
children, and one uncommonly
good little boy. What follows
is a tale of bizarre fantasy
and wickedly just desserts.
In portraying the characters
in Charlie, Burton has skipped
across time to dress his his
characters in the trappings
of the eras that suit them.
The kind-hearted but poverty
stricken Charlie Bucket is a
character straight out of Charles
Dickens; the piggish Augustus
Gloop would be at home in a
fairy tale by the Brothers Grimm;
Veruca Salt is a spoiled child
from a wealthy, mid-twentieth
century industrialist family;
Violet Beauregarde is pure Reagan
Era, 1980's 'me generation,'
while Mike Teavee is a child
of today, obsessed with video
games and precociously logical.
Willy Wonka himself is inexplicably
presented as an Edwardian-dressed
dandy of the 1960's, spouting
expressions like 'let's boogie,'
although nothing in his flash-backed
childhood presages it.
The parents and families of
the children are also exceptionally
cast, particularly Noah Taylor
and David Kelly, as Father and
Grandfather Bucket, and Missi
Pyle as Mrs. Beauregarde, heretofore
seen in Burton's Big Fish
as Mildred, and as the quirky
alien girl in Galaxy Quest.
Tim Burton has always reveled
in playing dark against bright.
His visual esthetic finds comfort
in misty grays and embracing
shadows, while having a childlike
delight in garishly intense
colors. His new film offers
perfect tableaus in which to
use his full palette. The depictions
of the London in which both
Charlie and Willy Wonka live
are perfectly rendered in muted
tones, all the more effective
as prelude to the electric kool-aid
acid trip that is the world
of the Chocolate Factory.
Adding to the hallucinatory
effect of Tim Burton's vision
is his choice to portray the
diminutive Oompa-Loompas as
an homage to the specatacle
of Bollywood musicals from India.
Much of Roald's Dahl's original
story is faithfully captured
here, including the sarcastic
banter between the bratty kids
and Willy Wonka, although perhaps
no film could capture the non-stop
inventiveness and wonderful
wordplay of the book, which
is rightfully a classic. To
his credit, Burton has used
Roald Dahl's own lyrics for
the taunting songs of the Oompas
that punctuate each of the children's
misfortunes.
Here is a sample Dahl's lyrics,
as chanted by the Oompa-Loompas.
Augustus
Gloop! Augustus Gloop!
The big, greedy nincompoop!
How long could we allow this
beast
to gorge and guzzle, feed and
feast?
"Come
on," we cried, "The
time is ripe
To send him shooting up the
pipe!
But
don't dear children be alarmed,
Augustus Gloop will not be harmed,
Although of course we must admit
He will be altered quite a bit
...
He'll
be quite changed from what he's
been,
When he goes through the fudge
machine:
Slowly the wheels go round and
round,
The cogs begin to grind and
pound;
A hundred knives to slice slice
slice;
We add some sugar, cream and
spice;
We boil him for a minute more
Until we're absolutely sure
That all the greed and all the
gall
Is boiled away for once and
all.
Then out he comes! And now!
By grace!
A miracle has taken place!
This boy who only just before
Was loathed by men from shore
to shore,
This greedy brute, this louses
ear,
Is loved by people everywhere!
For
who could hate or bear a grudge
Against a luscious bit of fudge?
*
* * * * * * * * * * * * * *
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And oh yes, there is Johnny
Depp. The actor's uninhibited
playfulness and seldom-seen
gift for slapstick is especially
entertaining for children, while
Willy Wonka's sadistic way of
dispensing juvenile justice
will forever please their elders,
for whom this fantasy is truly
intended.
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