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"Sometimes
the actual truth
is scarier than what we think
is the truth."
Those are the words of Jason
Todd Ipson, the writer and director
of Unrest, a film set
in a world of real horrors the
likes of which he has first-hand
knowldge.
Unrest is a story
of ghosts and premature deaths.
It takes us in a very real way
to a place very few of us will
ever visit at least not
alive.
The movie was filmed on location
in the actual Gross Anatomy
lab of a huge, functioning medical
facility by a director with
first-hand knowledge of this
grim, often chilling world.
How realistic does it get? Very,
as real human cadavers are actually
seen onscreen side by side with
the necessary special effects
bodies that were used in many
of the scenes of the film.
Unrest follows the terrifying
experience of the film's main
character, Alison Blanchard,
a pre-med student with a logical
mind and an empathic heart.
On her first day of Gross Anatomy
class, she realizes that her
assigned cadaver has suffered
a shocking death; a death that
may have stilled the disfigured
body, but left its spirit in
torment.
Corri English plays Alison with
a believability seldom seen
in such a film. She's a beautiful
young actress with a natural
quality to her performance that
infuses every aspect of the
role and every trait of her
character. We feel her passion
for medicine, her psychic connection
to the dead and her terror at
the events that come to haunt
her.
Death and dementia begin to
touch Alison's classmates, as
she realizes that her own life
depends on her ability to unravel
the mystery of her cadaver's
horrible source and the history
of the woman it once was. Unrest
traps us in the real world of
the dead, then leads us down
sterile corridors in which a
person's worst imagined fears
come to life.
The creator of Unrest
became very intimate with such
a place, alone late at night
during his time in med school.
As he explains, "I used
to go into the Gross Anatomy
lab to do my dissections at
around 2:00am, because the daytime
hours are the time for reading
textbooks. .At that time of
night, you could really feel
the spirits in the room watching
you as you cut through the flesh
to expose the anatomy."
Like his lead character, Ipson
is a rare individual with a
brilliant mind for science and
a sensitivity for perceiving
the supernatural.
"I absolutely have connections
to ghosts. That's what caused
this story to be written. I
sense premonitions. When I'm
in a room of dead people, I
can feel them. I know I sound
crazy, but it's the truth."
The character whose presence
haunts the film, literally and
metaphorically, is played by
Marisa Petroro as Alita Covas,
who we see in flashbacks as
a bright and successful psychologist
who degenerates first into a
homicidal prostitute and then
into a masochistic, self-mutilating
suicide victim. Petroro's performance
is a revelation, commanding
the screen and evoking horror
and heartbreaking sympathy during
her brief moments seen in life.
For most of the film, her place
is filled by a remarkably realistic
and disturbing effigy of her
in death, the cadaver that makes
Alison's life a living nightmare.
During filming, the three principle
castmembers, Corri English,
Scot Davis and Jay Jablonski
felt the unsettling environment
of the anatomy lab along with
the rest of the cast and crew.
Scot Davis recalls, "We
had people on the crew who had
a fear of just walking into
that room. Obviously they had
to do it, but it was a serious
discomfort. It's a room of death."
The principle cast members'
experiences with the reality
of death in the lab went far
beyond the mere atmosphere of
the place. Jay Jablonski explains
the seriousness of their learning
experience.
"On the first day that
as actors we pulled back the
sheet to look at our "cadaver,"
we did it a couple of times
and Jason wasn't satisfied with
our reaction. He asked the crew
to leave, and we went into a
freezer in the back of the lab
where there was a real person
who had died the night before.
He pulled the sheet back, and
after he observed our emotional
response, he said, 'That's the
reaction.'
"Seeing something that
real strikes at your own mortality,
when you realize that is going
to be you someday. It changed
our perception of how we dealt
with the fake body immediately,
and we went right out and did
the shot in one take."
An important and bizarre part
of Unrest involves one particular
feature of the lab; a huge glass-walled
tank filled with liquid and
preserved body parts.
Jason Ipson explains the reality
of the tank and his decision
to incorporate it into the film.
"Cadavers are taken care
of in one of two ways: they're
either thrown in a vat of ethylene
glycol, which is similar to
formaldehyde, until they're
fished out and used in Gross
Anatomy, or else they have a
two inch diameter steel bar
that is put through the temple
of the head and then hung on
hooks in a freezer.
"When I was writing the
script, I felt that the meat
hook was something we'd seen
before, even though it's a striking
visual image. But the cadaver
tank has never been seen, because
no one would know that the cadaver
tank existed except medical
doctors. For me, trying to create
an environment that's real,
that's the epitome of it. The
only reason the world knows
now about a cadaver tank is
because a doctor made a movie
and showed it. The justification
for the entire movie is to show
what's truthful and let that
scare the hell out of you."
The cadaver tank was a replica
built for Unrest that weighed
6000 pounds before being filled
with water.
The storyline of Unrest required
Corri and Scot's characters
to actually climb in and out
of the cadaver tank, a task
that turned out to be frightening
on several occasions. On an
occasion that called for them
to be trapped inside under a
lid, the water was heated too
hot, leaving the actors with
only four or five inches of
steaming, unbreatheable air.
Corri and Jason describe another
jarring accident involving the
cadaver tank.
Explains Corri, "I was
constantly hoisting myself in
and out of the tank, and one
time there was blood all over
the floor. I was barefoot with
blood on my feet, and I just
slid and kept going."
Jason continues, "Corri
jumped out of the tank, she
hit the steel gurney and went
right off of it, landed right
on her butt. The cast was just
so excited about doing a great
job and being truthful, and
she wasn't going to cut. Afterward
she admitted, yeah, I think
I hurt myself!"
Though it seems unlikely that
anyone could immerse themselves
in even the mild solution of
formaldehyde contained in a
cadaver tank, again Jason has
the first hand experience to
prove it can be done. One of
his fellow med-school classmates
actually did it herself on a
dare. Real formaldehyde is
carcinogenic with prolonged
exposure however, and it will
burn, particularly in the eyes.
Knowing the surreal world of
the immense hospital where Unrest
was filmed let Jason Todd Ipson
utilize every bizarre aspect
of the environment, making the
building itself the final, indispensible
part of the casting.
"That goes back to what
I was saying about truth being
stranger than fiction,"
he explains.
"The complaints that we
get about Unrest are
that some people say, 'oh, that
couldn't be the way it really
is.' The two things in that
regard that stick out in the
film are, number one, that there
aren't people everywhere But
that's because in that hospital,
there aren't people everywhere.
If you're there in the middle
of the night, you may be the
only person down in that
tunnel for an entire mile and
a half. Or you just might see
one or two people the whole
way.
Point number two is how the
lights are on a motion detect,
but that is absolutely true.
I don't know who thought that
was a good idea, when it's three
o'clock in the morning in a
deserted hospital and the lights
are flicking on one after another
and then going off. That's terrifying!"
UNREST stars:
Corri English .......... Alison
Blanchard
Scot Davis ............... Brian
Cross
Joshua Alba ............ Carlos
Aclar
Jay Jablonski .......... Rick
O'Connor
Marisa Petroro .........Alita
Covas
Derrick O'Connor .... Dr. Walter
Blackwell
Reb Fleming ............ Dr.
Carolyn Saltz
Unrest is Rated R for violence/gore,
nudity and some language.
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part 1 |
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part 2 |
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