an invocation of the sensually gothic    
     
Dark Arts - Painting
   
 
 
 
     
 
Dark Mythology and the Creative Muse
PART IV
THE MYTH OF CIRCE

Circe by Wright Barker, 1900

Odysseus, the legendary hero of Homer's epic tale The Odyssey, arrived with his crew of sailors upon the island of Aiaia, starving and exhausted, after narrowly escaping death at the hands of the fearsome Cyclops.

There dwelt Circe, the daughter of the sun-god Helios and the sea nymph Perseis. Circe was a powerul witch and sorcerer, as were her sister Pasiphae and her two brothers.

Upon landing on Circe's isle, Ulysses climbed a hill, and gazing round saw no signs of habitation except in one spot at the centre of the island, where he perceived a palace embowered with trees. He sent forward one- half of his crew, under the command of Eurylochus, to see what prospect of hospitality they might find. As they approached the palace, they found themselves surrounded by lions, tigers and wolves, not fierce, but tamed by Circe's art.

All these animals had once been men, but had been changed by Circe's enchantments into the forms of beasts. The sounds of soft music were heard from within, and a sweet female voice singing. Eurylochus called aloud and the goddess came forth and invited them in. They all gladly entered except Eurylochus, who suspected danger.

The goddess conducted her guests to a seat, and had them served with wine and other delicacies. When they had feasted heartily, she touched them one by one with her wand, and they became immediately changed into swine, in "head, body, voice and bristles," yet with their intellects as before. She shut them in pig sties, and supplied them with acorns and such other things as swine love.

Eurylochus hurried back to the ship and told the tale. Ulysses thereupon determined to go himself, and try if by any means he might deliver his companions. As he strode onward alone, he met a youth who addressed him familiarly, appearing to be acquainted with his adventures. He announced himself as Mercury, and informed Ulysses of the arts of Circe, and of the danger of approaching her.

As Ulysses was not to be dissuaded from his attempts, Mercury provided him with a sprig of the plant Moly, of wonderful power to resist sorceries, and instructed him how to act. Ulysses proceeded, and reaching the palace was courteously received by Circe, who entertained him as she had done his companions, and after he had eaten and drank, touched him with her wand, saying, "Hence seek the sty and wallow with thy friends."

But instead of obeying, Odysseus drew his sword and rushed upon her with fury in his countenance. She fell on her knees and begged for mercy. He dictated a solemn oath that she would release his companions and practise no further against him or them; and she repeated it, at the same time promising to dismiss them all in safety after hospitably entertaining them.

She was as good as her word. The men were restored to their shapes, the rest of the crew summoned from the shore, and the whole magnificently entertained day after day, till Ulysses seemed to have forgotten his native land, and to have reconciled himself to an inglorious life of ease and pleasure. At length his companions recalled him to nobler sentiments, and he received their admonition gratefully.

Circe aided their departure, and instructed them how to pass safely by the coast of the Sirens. The Sirens were Sea-nymphs who had the power of charming by their song all who had heard them, so that the unhappy mariners were irresistibly impelled to cast themselves into the sea to their destruction.

Circe directed Ulysses to fill the ears of his seamen with wax, so that they should not hear the strain; and to cause himself to be bound to the mast, and his people to be strictly enjoined, whatever he might say or do, by no means to release him till they should have passed the Sirens' island.

Ulysses was also warned by Circe of the two monsters Scylla and Charybdis.

Scylla was once a beautiful maiden who had been changed into a snaky monster by Circe. She dwelt in a cave high up on the cliff, from whence she was accustomed to thrust forth her long necks (for she had six heads), and in each of her mouths to seize one of the crew of every vessel passing within reach.

The other terror, Charybdis, was a gulf, nearly on a level with the water. Thrice each day the water rushed into a frightful chasm, and thrice was disgorged. Any vessel coming near the whirlpool when the tide was rushing in must inevitably by engulfed; not Neptune himself could save it.

Odysseus and his men followed Circe's instructions in evading the sirens' song.

On approaching the haunt of the dread monsters, the roar of Charybdis' waters gave warning at a distance, but Scylla could nowhere be discerned. While Ulysses and his men watched with anxious eyes the dreadful whirlpool, they were not equally on their guard from the attack of Scylla, and the monster darting forth her snaky heads, caught six of his men, and bore them away shrieking to her den. It was the saddest sight Ulysses had yet seen; to behold his friends thus sacrificed and hear their cries, unable to afford them any assistance.

Scylla and Charybdis have become proverbial, to denote opposite dangers which beset one's course.

Despite her assistance in saving Odysseus and his men, and despite her bearing two children by him, the name of Circe now conjures only her image as a dread goddess and a deadly sorcerer.

The Symbolist Franz von Stuck portrayed the famed Austrian actress Tilla Durieux as Circe offering a cup of poisoned enchantment; tragically prophetic, as her husband died of a suicide attempt following her divorcing him. Tilla acted the role of Circe on the stage, and became ever more renowned for her title role in Oscar Wilde's Salome and for being the first Eliza Doolittle in playwrite George Bernard Shaw's Pygmalion.

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