an invocation of the sensually gothic    
     
   
 
Book of Days: Volume I
January February March April
May June July August
September October November December
 
August Days
 
1 The Descent: Horror Returns to England
2 The Eye by M.C. Escher
3 The Libertine, starring Johnny Depp
4 Bauhaus - video: 'She's In Parties'
5 The Witch Doctor Headshrinkers Kit!
6 The Brain That Wouldn't Die
7 'Pulse' movie trailer
8 Nine Inch Nails - The Hand That Feeds
9 Brian DePalma's 'The Black Dahlia'
10 'Room of Angel' from Silent Hill
11 The Misfits and 'The Crimson Ghost'
12 'The Death of the Grave Digger'
13 Symbolist Erotica by Gayac
14 Jacquemin's 'Painful and Glorious Crown'
15 The Art of Louis Welden Hawkins
16 'Satan's Treasures': Art by Jean Delville
17 video: 'Stigmata Martyr' by Abney Park
18 video: Neil Gaiman's 'MirrorMask'
19 Scenes from The Illusionist
20 Gothic Places: Abney Park Cemetery
21 video: Evanescence, from The Open Door
22 Forever Knight
23 J. W. Godward's 'The Delphic Oracle'
24 video: 'The Wicker Man'
25 'Spider Baby'
26 Ray Harryhausen
27 Ulysses and the Sirens
28 The Bride of Frankenstein
29 Ray Bradbury
30 Mary Wollstonecraft Shelley
31 Fisherman and the Siren
 
 
August 28, 2006
 
The Bride of Frankenstein
Elsa Lanchester as the would-be bride of the Monster in 'The Bride of Frankenstein'


The movie legends who created the first, classic filming of Frankenstein reunited with equal genius for the even greater sequel, The Bride of Frankenstein.

Elsa Lanchester starred in dual roles, playing the female creation of Doctor Frankenstein and also portraying Mary Shelley, in a prologue to the story in which Lord Byron, Percy Shelley and she talk about her horrific tale.

Elsa was an experienced actress and dancer at the time of 'Bride's filming. She had even studied dance with Isadora Duncan at an early age.

In 1929 she had married the actor Charles Laughton who would become legendary in horror film history for his part as Quasimodo in The Hunchback of Notre Dame.

 


The Bride of Frankenstein is memorable for its daring tightrope walk between moments of classic horror, emotional pathos and comical self-parody.

The film blends the extremes of German Expressionism with a beautiful gothic Romanticism, and becomes hypnotic in the performances of Lanchester and Boris Karloff.

Karloff, as the Monster, speaks in this role, delivering his final pronouncement with chilling finality as he has been spurned even by the one who shares his nightmarish origins.

The Bride of Frankenstein is still seen as a work of masterful and influential art direction and make-up design a full eighty years after its creation.

 
 
 
           
 
 
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