an invocation of the sensually gothic    
     
   
 
Book of Days: Volume I
January February March April
May June July August
September October November December
 
July Days
 
1 When Death Inspires Art
2 Death Rays
3 The Art of Francis Bacon
4 Ghosts of the Old South
5 Hot Blood: The Anthology of Erotic Horror
6 Early Classics 0f Gothic Latin Cinema
7 Pirates, Pain and Punishment
8 William Kidd: Pirate or Privateer?
9 Captain Jack Sparrow
10 The Art of Enki Bilal
11 Iconic Images: 'Bat-Woman' by Penot
12 Absinthe: The truth behind the Green Fairy
13 The Vampire by Philip Burne-Jones
14 The Guillotine
15 Jim Henson's "Labyrinth"
16 The Labyrinth of Jareth Masquerade Ball
17 Kali, the Goddess of Destruction
18 Vampire by Edvard Munch
19 Paolo Serpieri's Dystopian Erotic Art
20 Evil and Innocence in Point Pleasant
21 The Lady of Shalott
22 Erotic Ghost Stories: Gotham
23 Erotic Ghost Stories: Haunted
24 The Diary of Ellen Rimbauer
25 The Exquisite Gates of Albert Paley
26 Madonna by Edvard Munch
27 Oscar Wilde's Salomé
28 The Art of Jean-Claude Claeys
29 Portrait of Madame Stuart Merrill
30 Brides of Blood
31 The 'subliminal' demon of The Exorcist
 
 
July 27 , 2006
 


Oscar Wilde's Salome

Salome with the head of John the Baptist by Dolci in the 17th Century,
by Beardsley in the 19th century and in the 20th century by Claeys


The story of Salomé, the beautiful and murderous seductress, is one of the most well-known in Biblical history for its lurid drama and sexual undercurrents.
Salome was a historical figure, no mere myth. According to the bible, she used her charms to beguile her step-father, the tetrarch Herod, into beheading St. John the Baptist as a favor to her mother, who hated the prophet for his accusations that her marriage was adulterous.

Oscar Wilde was inspired to write a play involving the Biblical characters and events, but with one important revision. Wilde's Salomé is not a tool of her mother's wishes, but rather a deadly and scheming woman with her own motives.
The prophet seals his fate by rejecting Salome's kiss, after she is taken with a consuming infatuation for him.

 


Wilde wrote the text of Salomé in French to avoid an English prohibition upon Biblical characters in stage plays. He gave his prophet the name Jokanaan.

Salomé obtains the power to avenge her injured pride on Jokanaan by coaxing a promise from Herod to grant a wish in exchange for her dancing for him. Her wish (which horrifies the reluctant ruler) is to be given Jokanaan's head. At the climax of the play, Salomé taunts the dead prophet and takes the kiss from him that he had denied her in life.

"I was a princess, and thou didst scorn me... Ah! wherefore didst thou not look at me? ...Well I know that thou wouldst have loved me, and the mystery of Love is greater than the mystery of Death."

 
 
 
           
 
 
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