an invocation of the sensually gothic    
     
   
 
Book of Days: Volume I
January February March April
May June July August
September October November December
 
July Days
 
1 When Death Inspires Art
2 Death Rays
3 The Art of Francis Bacon
4 Ghosts of the Old South
5 Hot Blood: The Anthology of Erotic Horror
6 Early Classics 0f Gothic Latin Cinema
7 Pirates, Pain and Punishment
8 William Kidd: Pirate or Privateer?
9 Captain Jack Sparrow
10 The Art of Enki Bilal
11 Iconic Images: 'Bat-Woman' by Penot
12 Absinthe: The truth behind the Green Fairy
13 The Vampire by Philip Burne-Jones
14 The Guillotine
15 Jim Henson's "Labyrinth"
16 The Labyrinth of Jareth Masquerade Ball
17 Kali, the Goddess of Destruction
18 Vampire by Edvard Munch
19 Paolo Serpieri's Dystopian Erotic Art
20 Evil and Innocence in Point Pleasant
21 The Lady of Shalott
22 Erotic Ghost Stories: Gotham
23 Erotic Ghost Stories: Haunted
24 The Diary of Ellen Rimbauer
25 The Exquisite Gates of Albert Paley
26 Madonna by Edvard Munch
27 Oscar Wilde's Salomé
28 The Art of Jean-Claude Claeys
29 Portrait of Madame Stuart Merrill
30 Brides of Blood
31 The 'subliminal' demon of The Exorcist
 
 
July 13, 2006
 
'
"The Vampire" was painted in 1897, the year in which Bram Stoker wrote Dracula,
by Philip Burne-Jones. Philip was the son of the renowned Pre-Raphaelite painter Edward Burne-Jones, in whose shadow he made a lesser mark on art history. The painting bears the likeness a married London actress who rejected the love-struck artist. 'The Vampire' is also known for inspiring a poem by Rudyard Kipling, Philip's cousin, which tells not of the supernatural, but of the foolishness of unrequited love.
 
 
 
         
           
 
 
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