an invocation of the sensually gothic    
     
   
 
Book of Days: Volume I
January February March April
May June July August
September October November December
 
June Days
 
1 Jocelyn Montgomery's 'Living Light'
2 Bat's Day in the Fun Park
3 The Ghoulish Gallery
4 Gormenghast: The Tale of Titus Groan
5 Hollywood's Movie Night in the Cemetery
6 Dore's Scenes from the Apocalypse
7 The Horror Films of Bob Clark
8 The Art of Dave Correia
9 A Dark Garden of Corsetted Beauty
10 Betty Page Confidential by Bunny Yeager
11 The Art of Dorian Cleavenger
12 McFarlane's Avenging Lotus Angel
13 Guillermo Del Toro's 'Pan's Labyrinth'
14 The Rare Beauty of the Corpse Flower
15 The Art of Gia Chikvaidze
16 Gotham Public Works
17 The Nightmare
18 Strawberry Hill: the birth of gothic literature
19 The Devil's Interval
20 Straight Into Darkness
21 The Art of J.W. Waterhouse
22 The Marketplace by Laura Antoniou
23 The Cabinet of Doctor Caligari
24 Nosferatu: A Symphony of Horror
25 Kushiel's Dart: a s&m sci-fi romance
26 Angel Heart
27 The Golden: vampire gothic
28 Ninja Scroll: sword, sorcery & sex
29 Ghost Ships
30 The Haunted Summer of 1816
1
 
 
June 19, 2006
 
The Devil's Interval

The musical staff pictured here looks perfectly innocent, does it not? Yet at one time, these combined notes were banned by the Catholic Church from musical composition, and were claimed to have the ability to summon Satan himself.

Such is the power of music to affect human emotions, that the tritone has become known since Medieval days as 'the Devil's interval.' The tritone interval spans three whole tones on the musical scale. As such, the Church originally assumed that three tones must correspond with the the Holy Trinity, making the tritone the interval of God. This concept was rejected however, as the dissonant, disturbing effect of the tritone was undeniable, and it became associated with the Devil instead

In the Romantic period of classical music, the emotional effect of the tritone was used in transitioning from one key to another. The tritone has long been used in music for the movies, particularly in science fiction, horror and film noir.

In the modern era of heavy metal music, the Devil's interval became an often invoked sound, to conjure emotions of dread and evil.

 


Many of Robert Fripp's compositions for King Crimson relied heavily on the doom-laden power of the tritone. Following after, the signature songs of Black Sabbath, Jimi Hendrix (Purple Haze), Metallica (Enter Sandman) and many others made the once-forbidden Devil's interval a vital touchstone of our musical culture.

 
 
 
                                                                                        
           
 
 
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