an invocation of the sensually gothic    
     
   
 
Book of Days: Volume I
January February March April
May June July August
September October November December
 
May Days
 
1 Brian Froud
2 Transylvanian Desserts
3 Alex Proyas' Dark City
4 Edwardian Macabre: The Stories of Saki
5 The Blood Countess, Erzsabet Bathory
6 Sleepy Hollow: a legend you can visit!
7 H.P. Lovecraft's 'Dagon'
8 The Legacy of Creepy Magazine
9 The Evolving Horror of 'The Thing'
10 The Black Dahlia
11 'Prohibited:' The Erotic Art of Luis Royo
12 Christa Faust's Control Freak
13 Topping From Below by Laura Reese
14 The Fourth Tower of Inverness
15 Chad Michael Ward's BLACK RUST
16 Farinelli, il Castrato
17 The Master of All Desires
18 The Art of D.W. Frydendall
19 Audition: The Cinema of Takashi Miike
20 Halo: The Effect of the Killer App
21 Clive Barker's Tortured Souls
22 The Gothic Cathedral Organ
23 Nunsploitation: Sinful Sisters
24 The Art of Franz Von Stuck
25 The Jacket
26 Buckle Magazine: strap it on
27 The Art of Crab Scrambley
28 The Art of Gris Grimly
29 The Mediaeval Baebes
30 The Halfway House
31 Macabre Mealtime Recipes
 
 
May 17, 2006
 
The Master of All Desires: Whimsey and Wickedness

A young female poet, a well- known necromancer, a Queen and a 2000 year old, talking, mummified head in a box are the protagonists in this witty, intelligent page-turner from Judith Merkle Riley.

The year is 1556 and the setting is Paris--capital city to a country on the brink of civil war.

Catherine de Medici is queen, and her astrologer, the prophet Nostradamus, has divined the secret evil of the Undying Head of Menander, the Master of All Desires.

The Queen wants to use Menander to get rid of the king's mistress, and a spirited young poet named Sibille Artaud de la Roque is tempted by Menander to obtain all her desires.

But only Nostradamus knows that evil befalls all who wish upon this accursed object.

Can he stop these determined women before they unwittingly destroy the entire kingdom of France?

 
 

Although every character is appealing (the rotten ones serve up deliciously clever dialogue), the most sympathetic, surprisingly, is the "serpent-queen," as Nostradamus dubs her. Catherine is vulnerable and desperate; for want of love, she risks all, and gains nothing. Lush period detail and sprightly dialogue laced with humor and courtly pomp anchor Riley's romantic adventure with stylized whimsy and historical plausibility. ~ Publishers Weekly

 
 
                                                             More page-turners from Judith Merkle Riley
           
 
 
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