an invocation of the sensually gothic    
     
   
 
Book of Days: Volume I
January February March April
May June July August
September October November December
 
February Days
 
1 Evanescence lyric and video - Lithium
2 The Two Graves of Edgar Allan Poe
3 Laudanum and 'The Opium Eaters'
4 Belladonna aka Deadly Nightshade
5 Opium Dens and the Literati of the 1800's
6 Arsenic Poisoning
7 Arsenic and Old Lace
8 Iron Maiden's Eddie the Head
9 The Cramps
10 video: She-Creature
11 The Tomb of Ligeia
12 The Knight, Death and the Devil
13 Murder and 'Dead Lovers' by Munch
14 The Embracing Skeletons of Mantua
15 Eros and Psyche
16 Victor Hugo's Tragic Horror of Gwynplaine
17 The Man Who Laughs
18 Gwynplaine and The Joker
19 Curse of the Living Corpse
20 The Burning Times
21 Foxe's Book of Martyrs
22 Candaules the King Shows His Wife...
23 poem: When I Am Dead, My Dearest
24 The Tragic Love of Hero and Leander
25 The Last Watch of Hero by Leighton
26 The Queen of Blood
27 video: Type O Negative - Black #1
28 Brian Jones - R.I.P. 1942-1969
 
 
February 18
 
The Lasting Influence of The Man Who Laughs

The most well known of many creative references in popular culture to Victor Hugo's The Man Who Laughs is found in Batman's nemesis The Joker.

The character's co-creator, Bob Kane, described in a 1970 interview how a photo of Conrad Veidt's Gwynplaine was an early influence on The Joker's appearance.

Like Gwynplaine, The Joker is also the victim of a horrid disfigurement, though the comic book character's face is changed by an accident in which he is immersed in a vat of chemicals, bleaching his skin and discoloring his hair. Unlike Gwynplaine, who is a truly heartbreaking victim with an origin born of a stark, historical reality that leaves him somwhat reclusive, The Joker is a sociopathic serial-killer with a psychotic sense of morbid showmanship.

James Ellroy also invoked the image of Gwynplaine in his novel The Black Dahlia as a clue to revealing the motive behind one of the victim's many grotesque wounds.

A gothic horror tale entitled 'Sardonicus' appeared in a 1961 edition of Playboy and was turned into a low-budget horror film by William Castle, the director of The Tingler, The House on Haunted Hill and 13 Ghosts. Titled Mr. Sardonicus, the film told the story of a man who is cursed with 'risus sardonicus,' a locked spasm of the facial muscles, upon the sight of his father's corpse during a moonlit graverobbing. >>
 
   
 
 
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